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Joel Mabus has split his 35-year career in folk music between the traditional and the original. Split is perhaps not the proper word, because the old and the new intertwine in his music, whether he is singing an old ballad with a new interpretive twist or writing a new song with a 21^st century perspective that sounds like it has been handed down from generations past.

Where is he from? He was born and raised in a working-class family in a modest Southern Illinois town, about 105 miles southeast of Mark Twain, 190 miles northwest of Bill Monroe, 110 miles southwest of Burl Ives and just over the river and up the hill from Scott Joplin.

His great-grandfather Louis Charles Lee was an Illinois farmhouse fiddler of the 19^th century. Most of the following generations were farmhouse musicians too. When Joel’s mother and father came of age in the Great Depression, they took their old-time music on the road as professional entertainers, barnstorming the Midwest with road shows for Prairie Farmer, the parent company of the WLS Barn Dance, the progenitor of the Grand Ole Opry.

This pedigree was not lost on Joel as a child. When his schoolmates were grooving to the Beach Boys and the Monkeys, he was learning the tunes of the Carter Family, Bill Monroe and Jimmie Rodgers.  He also absorbed some of the blues and spiritual music that is thick in his native Southern Illinois along the Mississippi River .

Despite the poverty his family was thrown into after his father’s untimely death, Joel attended university in Michigan (on a national merit scholarship), where he studied anthropology by day and learned the business of being a professional musician by night. Interests grew beyond bluegrass & old time stringband music, and Joel studied older blues, western swing, and even Celtic dance music long before it was the fad. He also began to write songs.

After journeyman’s work in several local bluegrass and string bands, Joel made his first record for a Michigan label in 1977 with mandolin legend Frank Wakefield guesting.  Three years later he signed with Flying Fish Records for a two-record deal.  In 1986 he was one of the first established folksingers to start his own independent label, even before the advent of the home studio and compact disc, which make the practice so common today.

While he is known to many as a songwriter, having penned several songs familiar to the folk crowd (“Touch a Name On the Wall,” “The Druggist,” and “The Duct Tape Blues” are three that have been covered by many and published in the pages of Singout Magazine), he is also a fixture on the traditional scene as a guitarist, old-time banjoist, singer and fiddler. He has taught at Augusta Heritage, Puget Sound Guitar Workshop, and fiddled at countless dance camps. (His fiddle tune, “The Blue Jig” has become a modern contradance standard on 3 continents and has been recorded numerous times by dance bands.)

Subsequent to his instrumental guitar release in 2005, “Parlor Guitar,” Joel was asked by Hal Leonard Publishing to write transcriptions from that CD for publication. The book, Parlor Guitar, is now available worldwide for guitarists to learn Joel’s arrangements of these early 20^th century classics.

Joel was also among the first wave to join the North American Folk Music & Dance Alliance (“Folk Alliance,” for short) in 1990, and showcased officially at the 1991 international conference in Chicago , where he was given two standing ovations. Top agent David Tamulevich wrote, "It was one of the most memorable and remarkable sets I have ever had the pleasure of seeing." Mabus has made 19 solo albums in his 30-year recording career – most of them still available. His latest releases are “The Banjo Monologues” in 2007, a unique blend of old-time banjo and storytelling which ranked #6 in for the year in the Folk Radio charts (folkdj-l), followed by "Retold" in 2008, a fresh recording of some of Joel's audience favorites.

In 2008, Mabus was nominated for the Traditional Music Act of the year at the international Folk Alliance Awards.  Two years earlier, the Folk Alliance Midwest Region gave Joel the annual "Lantern Bearer's Award" for a career of performing excellence.

Joel Mabus has toured widely and makes his living at music, though he is – like most professional folk musicians in the 21^st century – flying under the radar of American pop culture. At his extensive and user-friendly website, you can find his discography, all his lyrics, promotional materials and his other writings: WWW.JOELMABUS.COM

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Joel Mabus Discography

RETOLD — 2008 (Fossil Records 1808)

THE BANJO MONOLOGUES — 2007 (Fossil Records 1707)

PARLOR GUITAR — 2005 (Fossil Records 1605)

GOLDEN WILLOW TREE — 2004 (Fossil Records 1504)

THUMB THUMP  — 2002 (Fossil Records 1402)

SIX OF ONE — 2001 (Fossil Records 1301)

HOW LIKE THE HOLLY — 1999 (Fossil Records 1299)

TOP DRAWER STRING BAND — 1999 (Fossil Records 1199)

RHYME SCHEMES —1997 (Fossil Records 1097)

WESTERN PASSAGE  — 1996 (Fossil Records 996) 

PROMISED LAND — 1994 (Fossil Records 894)

FLATPICK & CLAWHAMMER  —  1991 & 1993 (Fossil Records 793 -- formerly 491C & 693C)

SHORT STORIES  — 1992 (Fossil Records 592)

FIRELAKE — 1990  (Fossil Records 390)

THE NAKED TRUTH  — 1988 (Fossil Records 288) 

FORTUNES  — 1987 (Fossil Records 187) 

FAIRIES & FOOLS — 1983 (Flying Fish 296)  (out of print)

SETTING THE WOODS ON FIRE  — 1980 (Flying Fish 235) (out of print)

GRASSROOTS — 1978 (Grand River Records 003)  Debut featuring Frank Wakefield  (out of print)

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JOEL HAS PLAYED SOME OF the top festivals:

& folk clubs / concert series:

& music camps:

  
 & nationally syndicated radio:

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Photo Credits

(c) 2001-08 Joel Mabus
Last revised: April 20, 2008 .